10. Walking On The Moon (1979)
I was drunk in a hotel room in Munich, slumped on the bed with the whirling pit when this riff came into my head. I got up and started walking round the room, singing 'Walking round the room, ya, ya, walking round the room'. That was all. In the cool light of morning I remembered what had happened and I wrote the riff down. But 'Walking Round the Room' was a stupid title so I thought of something even more stupid which was 'Walking on the Moon'.
— Sting
9. Roxane (1978)
The Police lead singer Sting wrote the song inspired by the prostitutes he saw near the band's seedy hotel in Paris, France, where the Police were lodged in October 1977 to perform at the Nashville Club. The song's title comes from the name of the character in the play Cyrano de Bergerac, an old poster of which was hanging in the hotel foyer.
8. De Do Do Do, De Da Da Da (1980)
I was trying to make an intellectual point about how the simple can be so powerful. Why are our favourite songs 'Da Doo Ron Ron' and 'Do Wah Diddy Diddy'? In the song, I tried to address that issue. But everyone said, 'This is bullshit, child's play.' No one listened to the lyrics. Listen to the lyrics. I'm going to remake it again and put more emphasis on what I was talking about.
— Sting
— Sting
7. Message in a Bottle (1979)
According to the band's guitarist, Andy Summers, Sting had initially intended the guitar riff that "Message in a Bottle" is centred around for a different song. Summers said to L'Historia Bandidio in 1981: "Sting had that riff for a while, but there was another tune with it originally. He'd been fiddling about with it during our first American tour. Finally, he rearranged the riff slightly and came up with the song." Summers came up with, as Sting described, "lovely arpeggiated shiver" during the break prior to the third verse.
6. King of Pain (1983)
"King of Pain" was released as the second single in the US and the fourth single in the UK, taken from their fifth and final album, Synchronicity (1983). The song was released after "Every Breath You Take"'s eight-week appearance on top of the charts. Sting's fascination with Carl Jung and, to a greater extent, Arthur Koestler inspired him to write the track. As a Hungarian-born novelist who resided in England, Koestler was enthralled with parapsychology and the unexplained workings of the mind (he wrote the book titled The Ghost in the Machine in the late '60s, after which the Police named their fourth album).
5. Can't Stand Loosing You (1978)
"Can't Stand Losing You" features lyrics which, according to Sting, is "about a teenage suicide, which is always a bit of a joke." Sting also claimed that the lyrics took him only five minutes to write. The song is musically similar to "Roxanne", with both songs bearing a reggae influence and a rock chorus. The song also makes use of the Echoplex. Sting sings lead vocals on the song, which he described as "up and down, strange, high-pitched singing."
4. Every Little Thing She Does Is Magic (1981)
This was first recorded as a demo, with the piano figure, in a studio in Montreal. I had written the song long before the Police were successful, but it seemed a bit soft for the band at first. But the demo was really great. It sounded like a No 1 song to me. I took it to the band, who were reticent, still thinking it was soft. I was saying, "But listen, it's a hit." We tried to do it from scratch as the Police, but it didn't have the same energy as the demo. After a degree of hair-pulling and torturing on my part, I got the band to play over the top of my demo.
— Sting
— Sting
3. Don't Stand So Close To Me (1980)
- Sting
2. Spirits In The Material World (1981)
'Spirits in the Material World' was written on one of those Casio keyboards while I was riding in the back of a truck somewhere. I just tap, tap, tap and there it was, just by accident. That was the first time I'd ever touched a synthesizer, that album.
— Sting
— Sting
1. Every Breath You Take (1983)
To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming's writing desk on the Goldeneye estate in Oracabessa, Jamaica. The lyrics are the words of a possessive lover who is watching "every breath you take; every move you make". Sting recalled:
I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn't realize at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control.
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