X-Plus Revenge of Creature Gill-Man 1:8 Model Kit
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Out of all the bands that emerged in the immediate aftermath of punk rock in the late '70s, few were as enduring and popular as the Cure. Led through numerous incarnations by guitarist/vocalist Robert Smith (born April 21, 1959), the band became well-known for its slow, gloomy dirges and Smith's ghoulish appearance, a public image that often hid the diversity of the Cure's music. At the outset, the Cure played jagged, edgy pop songs before slowly evolving into a more textured outfit. As one of the bands that laid the seeds for goth rock, the group created towering layers of guitars and synthesizers, but by the time goth caught on in the mid-'80s, the Cure had moved away from the genre. By the end of the '80s, the band had crossed over into the mainstream not only in its native England, but also in the United States and in various parts of Europe. The Cure remained a popular concert draw and reliable record-seller throughout the '90s, and their influence could be heard clearly on scores of new bands during the new millennium, including many that had little to do with goth. - Allmusic
10. A Night Like This (1985)
9. Lovesong (1989)
Cure lead singer Robert Smith wrote this as a wedding present for his fiancée, Mary Poole, shortly before they got married in 1988. Smith has remained steadfast in his devotion to Mary, whom he met at school when he was 14. He credits her with saving his life by pulling him out of the abyss when he went through some self-destructive periods. - Songfacts
8. Fascination Street (1989)
In an interview with Select magazine, Cure vocalist and primary songwriter Robert Smith said: "I was thinking of Bourbon Street in New Orleans when I wrote it - I was getting ready to go there and I thought: what the f--k do I think I'm going to find? It's about the incredulity that I could still be fooled into looking for a perfect moment." - Songfacts
7. Boys Don't Cry (1979)
The Cure formed in the torn-and-frayed London suburb of Crawley, where their sensitive side was not always appreciated. This song didn't go over well with some of the hardened punks that came to their shows, but the band remained unwavering in their approach and made a strong connection with legions of fans.
6. Friday I'm In Love (1992)
During the writing process, Robert Smith became convinced that he had inadvertently stolen the chord progression from somewhere, and this led him to a state of paranoia where he called everyone he could think of and played the song for them, asking if they had heard it before. None of them had, and Smith realized that the melody was indeed his. "It's always been paradoxical that it's pushed down people's throats that we're a goth band," Smith observed. "Because, to the general public, we're not. To taxi drivers, I'm the bloke that sings 'Friday I'm in Love'. I'm not the bloke who sings 'Shake Dog Shake' or 'One Hundred Years'. - Wiki
5. The Walk (1983)
The Cure had lost their bass player Simon Gallup and were in limbo when the remaining two members, Robert Smith and Lol Tolhurst, got together to compose this song in late 1982. Tolhurst came up with the distinctive vibrato keyboard riff, and Smith took it from there. The song became their biggest UK hit to this point, going to #12 and revitalizing the band. - Songfacts
4. Close To Me (1985)
Three versions of "Close to Me" were released in 1985, including the original album version, the 7" single mix version and the 12" extended mix version. The album version does not feature the brass section part present on all of the other versions, which was adapted from a traditional New Orleans funeral march melody and played by horn section Rent Party for the single mix. - Wiki
3. Pictures Of You (1989)
Smith has given conflicting accounts of what events inspired the song. In other interviews he has said that the song was the result of losing pictures he carried around in his wallet, many from before he was born. What is certain is that the song is defined by an overwhelming sense of loss. Smith explained the emotions behind the lyrics in a 1989 interview with Music Box TV: "It's about the idea you hold someone. It goes back a bit to a song like 'How Beautiful You Are.' The idea of you hold someone isn't really what that person is like. Sometimes you completely lose touch with what a person has turned into. You just want to hold onto what they were." - Songfacts
2. Just Like Heaven (1987)
In the November 2003 issue of Blender magazine, Robert Smith said: "In 1987, my wife, Mary, and I lived in a small two-bedroom flat in North London. The other room was my music room. Just about the only discipline I had in my life was self-imposed. I set myself a regimen of writing 15 days a month; otherwise I'd have just got up in mid-afternoon and watched TV until the pubs opened, then gone out drinking. I knew as soon as I'd written it that it was a good pop song. - Songfacts
1. In Between Days (1985)
The song was released as the first single from the band's 1985 album The Head on the Door and was a big international success. In the UK, it was the band's ninth chart single and their fourth consecutive Top 20 hit; while in the US it was their first single to reach the Billboard Hot 100 when it peaked at #99. It was a Top 20 hit in Australia and New Zealand and also charted in several European countries, increasing the popularity of the band. - Lastfm
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